James Karas
ANTIGONE – REVIEW OF NATIONAL THEATRE PRODUCTION
In the production of Sophocles’ Antigone under review, Director Polly Findlay adds a prologue that becomes clear...
ROMEO AND JULIET – REVIEW OF 2021 NATIONAL THEATRE FILM
THEATRE REVIEW
Romeo and Juliet has been staged and filmed in countless ways and...
REVIEW OF THE GREEK INTERNATIONAL FILM FESTIVAL OF TORONTO
The first Greek International Film Festival of Toronto (GIFFT) took place between October 1 and 4, 2021....
JEWEL – REVIEW OF 2021 BLYTH FESTIVAL PRODUCTION
THEATRE REVIEW
The Blyth Festival faced the consequences of the Covid-19 pandemic with lumber,...
FLORIAN’S KNIGHTS – REVIEW OF PANAYIOTI YANNITSOS’ FIL ABOUT FIREFIGHTERS
MOVIE REVIEW
Florian’s Knights is a film that straddles the line between a documentary...
A STREETCAR NAMED DESIRE – REVIEW OF 2014 YOUNG VIC PRODUCTION
THEATRE REVIEW
When did the expression Live Theatre come into common usage? Theatre was...
FLUSH – REVIEW OF 2021 SHAW FESTIVAL LUNCHTIME PLAY
THEATRE REVIEW
The Shaw Festival had a creditable tradition of producing one-act plays during...
THREE TALL WOMEN – REVIEW OF 2021 STRATFORD FESTIVAL PRODUCTION
THEATRE REVIEW
Edward Albee’s Three Tall Women is an intriguing, stimulating and brilliant play...
THE BRODA SALT CABIN – NEW NOVEL SET IN GREECE DURING...
BOOK REVIEW
The Broda Salt Cabin
by A. H. Nedani
THAÏS – REVIEW OF MET OPERA STREAMING OF 2008 PRODUCTION
PAGANISM v. CHRISTIANITY
“What’s a nice girl like you doing in a place like...
