James Karas
LA RONDINE – REVIEW OF STREAMING OF 2009 MET PRODUCTION
Puccini composed a dozen operas and several of them are dominant perennial favorites. Some of them do...
LE COMTE ORY – REVIEW OF STREAMING OF 2011 MET PRODUCTION
We can all be forgiven for not claiming intimate knowledge of Le Comte Ory. It is by...
Rodgers and Hammerstein’s World
Carousel, Oklahoma! And South Pacific
Reviewed by James Karas
Composer Richard...
IL TROVATORE – REVIEW OF MET OPERA STREAMING OF 2015 PRODUCTION
By James Karas
If you are following the Metropolitan Opera’s streaming of its past...
FRANCESCA DA RIMINI – REVIEW OF STREAMING OF MET OPERA’S 1984...
Reviewed by James Karas
Riccardo Zandonai (1883-1944) composed about a dozen operas and had...
Greeks against Greeks Final Chapter and $15,496.93
Hellenic Congress of Quebec v. Hellenic Canadian Congress
The Hellenic Congress of Quebec (HCQ)...
PRESENT LAUGHTER – REVIEW OF TELECAST OF 2017 BROADWAY PRODUCTION
Reviewed by James Karas
Present Laughter is a hilarious play and one of Noe...
PERSIANS – REVIEW OF STREAMED PRODUCTION FROM EPIDAURUS
The National Theatre of Greece has scored a coup by streaming Aeschylus’s Persians directly from the Ancient...
LA BOHEME
REVIEW OF ZEFFIRELLI’S 1981 MET PRODUCTION
What is the most performed opera at New...
LA TRAVIATA – REVIEW OF 1981 MET PRODUCTION STREAMED DURING COVID-19
OPERA REVIEW
Verdi’s La Traviata had a choppy beginning but it has become one...
