James Karas
The Magic Flute – Review of Canadian Opera Company’s 2022 Production
When Papageno, the naïve and loveable bird catcher, sees the pretty Papagena who is to become his wife, he exclaims a loud and gleeful...
La Traviata – Review of Canadian Opera Company 2022 Production
The pandemic has strangled most cultural events for more than two years and if we are not at the end of the tunnel, we...
Three Women of Swatow – Review of Chloe Hung’s Bloodbath of...
“Who would have thought the old man to have had so much blood in him.”That is what the unhinged Lady Macbeth says recalling the...
Boy Falls From the Sky – Review of Jake Epstein’s Theatrical...
Jake Epstein is a talented Torontonian who has achieved numerous successes as an actor, singer and writer. He has performed on television and in...
THE ANTIPODES – REVIEW OF COAL MINE THEATRE PRODUCTION
Coal Mine Theatre has a small storefront space on Danforth Avenue, Toronto and it is a splendid small company that produces high quality and...
ORPHAN SONG – REVIEW OF NEW PLAY BY SEAN DIXON AT...
Sean Dixon’s new play, Orphan Song, is based on a personal experience that spawned a fascinating imaginary journey into the primeval past when Homo...
Orphan Song – Review of New Play by Sean Dixon at...
Sean Dixon’s new play, Orphan Song, is based on a personal experience that spawned a fascinating imaginary journey into the primeval past when Homo...
Cyrano De Bergerac – Review of 2022 Revival at Shaw Festival
Edmond Rostand’s Cyrano de Bergerac is a long and unwieldy play that is rarely produced in its original form. Anglophone theatre companies must rely...
Our Fathers, Sons, Lovers and Little Brothers – Review of New...
Our Father, Sons, Lovers and Little Brothers, the title of Makambe K. Simamba’s new play, gives the impression of a work that needs a...
Wildly Romantic – Review of Film of Norm Foster Play
Wildly Romantic is a genial, funny, simple, nostalgic and wonderfully entertaining film written by Norm Foster and produced by the Foster Festival of St....
