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Rodgers and Hammerstein’s World

Carousel, Oklahoma! And South Pacific Reviewed by James Karas Composer Richard...

IL TROVATORE – REVIEW OF MET OPERA STREAMING OF 2015 PRODUCTION

By James Karas If you are following the Metropolitan Opera’s streaming of its past...

FRANCESCA DA RIMINI – REVIEW OF STREAMING OF MET OPERA’S 1984...

Reviewed by James Karas Riccardo Zandonai (1883-1944) composed about a dozen operas and had...

Greeks against Greeks Final Chapter and $15,496.93

Hellenic Congress of Quebec v. Hellenic Canadian Congress The Hellenic Congress of Quebec (HCQ)...

PRESENT LAUGHTER – REVIEW OF TELECAST OF 2017 BROADWAY PRODUCTION

Reviewed by James Karas Present Laughter is a hilarious play and one of Noe...

PERSIANS – REVIEW OF STREAMED PRODUCTION FROM EPIDAURUS

The National Theatre of Greece has scored a coup by streaming Aeschylus’s Persians directly from the Ancient...

LES BLANCS – REVIEW OF NATIONAL THEATRE STREAMING

Reviewed by James Karas Les Blancs, the 2016 production of Lorraine Hansberry’s last play...

A MIDSUMMER NIGHT’S DREAM – REVIEW OF BRIDGE THEATRE PRODUCTION

A Midsummer Night’s Dream is a great comedy that not only challenges but provokes directors and designer...

Small Island

Review of National Theatre Broadcast Reviewed by James Karas Britain’s National...

IPHIGENIA MEETS MAD KING GEORGE III

 REVIEWS OF IPHIGÉNIE EN TAURIDE AND THE MADNESS OF GEORGE III     What to...
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